Me again, with two more pieces of good news to report.

First, I am very happy to say that Littlefield Gallery in Winter Harbor, Maine will be showing some of my paintings during their 2020 season.  More details on that soon.  For now, here is my information page on their website.  Thanks Jane and Kelly Littlefield, for visiting and for adding me to your gallery roster!

Second, the conservation organization Maine Coast Heritage Trust is turning fifty this year.  Thanks to their efforts, special places all over the coast are preserved, protected forever for seabirds and other wildlife, and in many cases opened to the public.  MCHT has just published a 50th anniversary anthology called Voices from the Coast, which contains essays, poetry, and art.  Some of the content is available online.  For the print version the editors selected one of my paintings for the cover, and I am so thrilled.  The book will be mailed out to members, donors, and other interested parties in the coming weeks.  Thank you, editors Alix Hopkins and Sophie Nelson, and Maine Coast Heritage Trust!

More in the spring.  I am starting to work on framing paintings for Landing Gallery, and my solo show there in May-June of 2020.  Lots to do, and thankfully, lots of time to do it in. 

The year is off to a lovely start with the publication of an article about my paintings in Maine Boats, Homes & Harbors magazine.  The arts writer, curator, and poet Carl Little came over for a studio visit and a nearby walk, so he could see how I set up to paint outside.  I'm so pleased with the article, here it is:

Sarah Faragher: a painter in alignment with nature

Print copies of the magazine are available in bookshops, markets, and maritime stores here in Maine right now.  Thank you Carl, and Maine Boats, Homes & Harbors! 

Meanwhile I am painting in my studio, and working on a book about painting.  I've made it through several drafts and it is coming into focus in a good way, but I still have a lot to do!  I will write again here in the spring with more information about that, and also with my show schedule for the season. 

Happy holidays and new year - a decade is about to turn over and with it comes a welcome fresh start.  I am inside for the winter, and working on my new solo show "At Sea: new paintings of the Maine coast" for May-June of 2020, with Landing Gallery in Rockland.  The paintings for the show are finished, and I am about to start framing them.  We are working on a new catalogue, which will be ready in late April.  Good winter projects!  I am also adding to the most recent draft of a book I am writing about being a landscape painter on an island in Maine.  I think a few months of work on it will see it finished, and I have a stack of paintings set aside in my studio to illustrate it.  But if I don't finish it this winter I will set it aside when outdoor painting weather returns, and revisit it again next winter.  I'm in no hurry.  I want it to be as good as I know how to make it, just like my paintings, and I know from experience how much time that can take.  Meanwhile I am enjoying seeing my new paintings in the studio.  I worked hard this year and have a lot to look at.  Living with them for months shows me where I want to go next in my work, what I would like to attempt.  I continue to be enthralled by groups of islands and headlands, surrounded by salt water and big skies.  This iteration of that theme will be at Landing Gallery in the new show:   

"Pink light out to sea, from the Pinkham Bay Bridge, Steuben, Maine" - oil/panel, 11 x 14", 2019.

Islands and the ocean aren't my only interests right now, though.  Like I did last year, I painted far inland a lot, especially during the fall, in the woods up around Greenville, Monson, and Katahdin, and I feel like I am continuing to get to know Maine in a new way.  I also ventured into New Hampshire and did some sketching in the White Mountains.  I'm hoping to do more of that in the year ahead, even as I continue to revisit my favorite coastal places to paint.  We are so fortunate here in Maine, with the wealth of natural beauty all around, and I never take it for granted.  I love to return to certain places again and again.  They feel like never-ending sources of joy, in painting and in life. 

That's all for now - except to say THANK YOU to friends and supporters who came out to see and purchase my work this past year.  I appreciate you so much, and am looking ahead with hopeful anticipation to the new decade.    

Hi friends, family, and painting enthusiasts!  Another summer season is on approach and after this long winter I am so ready!  I will be showing work in various venues this year.  Here is all the information.

First, I will soon be taking sixty new paintings to the exemplary Landing Gallery for my new solo show, Wild Life, about the pleasures of painting outside.  The show will be hanging before Memorial Day weekend and the official opening is Friday evening June 7th from 5:00 - 8:00.  At the end of June Landing Gallery will rehang a selection of my work for the summer, so please stop by when you are in Rockland.  A new catalogue for the Wild Life show is available from the gallery or from me directly. 

Then in August, five paintings of mine will be in the annual Blue Hill Public Library fundraising exhibit.  This year's show is entitled Vacationland, and is curated by Marcia Stremlau.  The show opens Friday August 2nd from 4:30 - 7:00 p.m., and will be up for the entire month.  This is usually a terrific group show.  Marcia has a great eye and I'm so pleased she is including my work again this year.

Again in August, the Dark Harbor Studio and Gallery on Islesboro is showing work from the group of artists I go on retreat with each fall at Long Ledge, the island home of painter Brita Holmquist.  The gallery is located in the Williams Building at 509 Pendleton Point Road in the village of Dark Harbor.  Our show will be opening on Thursday August 15th and will be up for a week.  

And, in August and September, I will be showing a few paintings at Betts Gallery at the Belfast Framer in their group show H2O, about water in all its forms.  I love painting snow, fog, clouds, the ocean, and inland waterways and am looking forward to seeing what the other artists in the exhibit will focus on.  The show opens in the evening on August 16th and runs through September 21st.

Here in my studio I have work for sale too, as always.  I've been framing some work and just added a lot of new images on the available work page of this site.  For more information about these paintings or to see others I have available, drop me a line.

That's all for now, although I am waiting to hear about another possible exhibit in the fall.  I will post an update about that when I know for sure.  I can't sign off without talking about painting for a minute, though.  Last year was an exciting one for me, painting-wise.  I spent a lot of time far inland, drawing and painting a few particular rivers, lakes, and mountains in northwestern Maine, and I feel like I am starting to know Maine in a new way.  Usually my attention is riveted by the ocean and islands, and that has been the case with me for decades now.  So to head in the opposite direction, go into the woods, and see how water behaves there has been a whole new thing for me.  I am rapt!  Some of my paintings from this ongoing exploration are shown with my other new work here, if you want to take a look.  And this is an example of one of them underway (a little over half-done), from last October, beside Lake Onawa:   

One last thing!  I must mention at least one painting from my new solo show, which is mostly ocean paintings.  This is on the cover of the Wild Life catalogue: September field up-island, Islesboro, Maine - oil/canvas, 16 x 20", 2018.  Come see it in person, at the show...?  Thanks for reading and thank you especially for your interest in my work (yes, this means you!).  I hope to see you out there in nature, in the months ahead.

Hi dear art friends - paintings of mine will be up and about this season, all over the great state of Maine, as will I!  Here is my summer and fall schedule:

First, the exemplary Landing Gallery now has all the work for my new solo show, Tree and Cloud.  The opening is Friday evening June 1st from 5:00 - 8:00, and the show will be up through the month of June (the gallery also keeps a selection of my work up all summer, so please stop by even if you can't make it in to see the whole show).  Catalogues are available at the gallery, and from me. 

In July, I will be painting around downeast Maine, and also heading inland for a few days to take a workshop with artist Alan Bray, at Monson Arts.  It's been a long time since I've taken a class but I have been yearning to paint in the woods lately and have admired Alan Bray's paintings for years, so this is a great opportunity!  To say I'm really looking forward to it is an understatement.  I'm already preparing some canvases and panels to bring with me.

In August, six paintings of mine will be in a group show at the Blue Hill Public Library:  Points of View, curated by Marcia Stremlau and Susan Webster, opening Friday August 3rd from 4:30 - 7:00 p.m.  Part of the proceeds of sales from the show goes to support this wonderful library and their community programming.  I'm very happy to be partipating in this fantastic annual exhibit again.  

Then in the fall, Betts Gallery at the Belfast Framer will have three of my paintings in a group show on the timeless theme of Trees - Maine is the Pine Tree State and trees are a major theme in Maine art and in my art too. The show opens on Friday September 28th, from 5:30 - 8 p.m., and runs through November 2nd.

And, I also have ten paintings hanging up right down the street - we have new neighbors who moved to town this spring and just opened a restaurant in their gorgeous historic house.  The Hichborn - their food looks amazing and "will follow the seasons of Maine."  Charlie and Kirk, the owners, a chef and artist respectively, want local artwork on the walls and asked me and several other artists from here in Stockton Springs to show paintings together.  It's great to have some work up with neighbor-painters Scott Moore, Peter Walls, and Fredrick Kuhn!

One more item of note - let's talk about books for a minute!  For the past few years one of my winter projects has entailed putting together two small books of my watercolors.  I love oil painting and that is my primary pursuit, but watercolor is also a great joy.  I scanned some of my favorites, put them together in a 10 x 8" hardcover, and printed the book online, via Blurb.  A Maine Coast Sketchbook shows 23 watercolors, plus 2 on the front and back covers, and a few mussel shell sketches for good measure.  I'm very happy with the color reproductions and archival paper.  Bonus: I am painting small watercolors inside the front cover of each copy, and signing them, and offering copies for sale here on my website.  That's the first book - the second one is longer, at around 100 pages, and is a poetic reverie about a day on the coast of Maine - morning, noon, afternoon, and evening - with brief text and sketches of the coast and of beach finds throughout.  Tidelines: a reverie is a 7 x 7" hardcover with a dust jacket, also printed on archival paper.  I am making a small drawing inside the cover of each copy of this book, too, and signing them.  Copies are only available to buy from me directly (contact me at sarah@sarahfaragher.com).  The catalogues from my three solo shows of the last three years are also available for sale.  Please take a look at my available work page for more details.

​Thanks for reading all this!  I'll sign off for now, with a painting.  This is one of the bigger paintings from my Tree and Cloud solo show, at 24 x 36".  Moonlight, starlight, from the harbor, Great Spruce Head Island, Maine - oil on canvas, 2017.  Seeing it again is making me think of island nights and the paintings that I hope to make, this  summer.  Stars, fireflies, phosphorescence, rising suns and moons - luminosity in the midst of darkness - an ongoing exploration and endeavor, always.  My best wishes for the seasons ahead!

Hi friends, it is deep winter around here and while I miss painting outside (so, so, so much), I am very busy working in the studio, framing paintings for a solo show in June at the wonderful Landing Gallery in Rockland, Maine.  The show is called Tree and Cloud (to complement last year's solo show Water and Stone) and consists of recent work from around Penobscot Bay and downeast Maine - about sixty paintings in all, from 5 x 7" up to 40 x 64".  The paintings will be at the gallery by mid-May and the show opens during the First Friday art walk, on the evening of June 1st.  A catalogue will be available in early May.  Full steam ahead!  Art matters!  I believe this now more than ever.  And, I must say, thank you to everyone who feels the same, and even more thank yous - a big bouquet of them - to folks who purchased my work last year.  It was my best year yet and I cannot thank you enough (yes, you!).  I live in a more or less constant state of gratitude for being able to devote the days of my life to painting.  I love it beyond words.

Snow is falling thick and fast this afternoon here in rural Maine and while I love to paint it (take a peek at my new work on this site to see a few recent snow paintings, made from inside while looking out the windows), right now I am remembering a particularly gorgeous hot summer day.  Sitting out on the ledges, making watercolors as a small-boat regatta streamed by, for hours and hours.  A brief look back at that day - finest kind - to help tide us over through the coming weeks and months, until we are back there once again.  Thanks for reading.  I hope to see you in June!         

I'm not going to fib, this has been a long difficult winter and continues to be a trying time in general.  However, I am happy to say that painting is bringing me a sense of purpose and joy, especially as I continue to explore subjects that are close to my heart.  This is a studio painting (there it is...! in my studio...!) I made early this spring, from memory, of the full moon rising over the treeline near the cabin I stay in on Bear Island in Penobscot Bay.  I saw this happen last summer and carried the image with me until the time felt right to try and paint it.  And one day, when nothing else was insisting on being done first, that moment finally arrived - 18 x 24", oil on canvas:

I suppose we could call the finished painting an ode to Payne's Gray, one of my favorite colors to both paint with and mix other colors from.  My palette tells the tale, doesn't it!  About the search for how to paint that evening-time, when any color in the landscape reads as near-black, and yet isn't, at all.  Wonderful to think about the eerie magic of a midsummer island night, this time of year.  Here's another new painting, from late-winter - also made in my studio, but this one from life, by looking out the window and down the hill we live on, to the ocean, about a mile away:  

Snow fell the night before, and the wind was whipping up the cove and the fat clouds overhead.  This one is a 12 x 9" panel, a familiar size I love to paint on.  The cloud shadows on the water and the snow on the far hills, mmm.  Every winter for the past few years I've made many paintings of this view, either zooming way in or widening out to encompass more space.  

​Another of my ongoing painting obsessions remains my love of Mount Desert Island and Schoodic.  And I'm so happy to say that Landing Gallery in Rockland, Maine is once again having a solo show of my work this year - Water and Stone: Schoodic and Mount Desert Island.  I will deliver around 60 paintings to the gallery in mid-May.  The show dates are May 26th - June 25th, and the official opening is during the First Friday Art Walk on June 2nd, from 5-8 p.m.  I have been working on this show for several years and many of the paintings in it are from my time as an artist-in-residence at Acadia National Park.  I was born in Bar Harbor and lived there as a child before moving away, and I have to say that painting in that area, now, as an adult, has been one of the most satisfying experiences of my life.  It feels like a full-circle journey.  Paintings in the show range in size from very small (5 x 7") to large (40 x 64").  There will be a catalogue available, with images of 23 of the paintings.  This painting (already sold) is on the front cover - Blue and gold day, the corner, Schoodic Point, Maine, oil/canvas, 18 x 18":    

I also have work in a few group shows around the state this summer.  The first is the season opener at Landing Gallery, the 2017 Invitational, alongside works from Scott Baltz, Andrew Anderson-Bell, Roberta Baumann, Bruce Busko,Tom Curry, Brian Krebs, Monique Lazard, Marlene Loznicka, Bill Mayher, David Peterson, Björn Runquist, Robert Stebleton, Liliana Thelander, Jill Valliere, and J.M. Wilde.  The opening is Friday evening May 5th, from 5-8 p.m.  One of my paintings in this show is Morning view to North Haven, from Pendleton Point, Islesboro, Maine, oil/linen, 16 x 14":  

Then, two small paintings of mine are in the summer season show, Maine Wood(s), at the L.C. Bates Museum in Fairfield.  The show opening is May 4th from 5:30-7:30 p.m.  I am not going to be able to be in two places at once, unfortunately, so I won't be at the opening myself (I will be in Rockland at Landing Gallery instead).  I have not seen a list of the other artists included in this show, but did see some of the work when I dropped off my paintings last week, and it looks fantastic so far.  It will be up through mid-October.

Lastly, some of my work has been selected for the August exhibit Island Light at the Blue Hill Public Library.  This show is curated by Jennifer Mitchell-Nevin and Marcia Stremlau, and I am thrilled to be a part of it.  It opens on Friday, August 4th and runs through September 1st.  This is an important fundraiser for the library and I'm so happy to participate, to help support literacy, books, and artists all at once.  Again, I haven't seen a list of the other artists yet, although I do know that the amazing painter Louise Bourne will have work there too.  And three of my paintings will be in the show, including this one - Penobscot Bay fog bank, from Islesboro, Maine, oil/canvas, 20 x 20":​

Whew,  I think that's all for now!  One of the great things about being indoors working all winter is this:  as soon as the warmer weather returns, I find myself caught up with everything - ready for summer shows, work framed and photographed and labelled - and thus free to pack up my painting basket and head outside to make new work!  Last week I painted on Deer Isle and also in Lincolnville.  It's so wonderful to sit by the edge of the ocean and, as if you couldn't tell from most of the paintings above, observe and try to paint the light.  As far as I'm concerned, an excellent thing to focus on, now or at any time.

​Thanks for reading - I hope to see you at an opening this summer!

Fall is here  and I have been out painting the gorgeous colors here in Maine, mostly on the blueberry barren which is a fifteen-minute walk from our front door.  After driving a lot this summer to paint, mostly way downeast, it's a relief to stay home for a change and focus on what's just a bit closer at hand!

A few notes about where to see my work this fall.  First, Landing Gallery in Rockland has  a good selection of my work up, through Christmas.  My solo show there this summer was a success and I am so happy to say that we will be teaming up for another solo show of my new work from Schoodic and Mount Desert Island, in June of 2017!  The paintings for this show are completed and I am going to frame them this winter, while working on some new projects.  I have just added a new Schoodic section to my website, too - some of these paintings are already sold and some are on hold for my solo show.  More details about the show in the spring. 

In the meantime, two of my paintings of Schoodic are in a wonderful group show curated by Carl Little, at the Northeast Harbor Library for the month of October.  The show complements the new art book by Carl and David Little, Art of Acadia, from Down East Books, which I am thrilled to be included in.  Here's the painting that's reproduced in the book - a painting I've been studying for several years in my studio, ever since making it:

Moonlight, Schoodic, Maine - oil/canvas, 18 x 18".  (Photo credit Ken Woisard.)   And here is one of my paintings from the Art of Acadia exhibit:

Two sea ducks, low tide, the view to Champlain and Cadillac, Mount Desert Island, from Schoodic, Maine - oil/panel, 12 x 9".   It's an honor and a delight to be included in this show (and in the book!  I mean, jumping for joy around here!), alongside artists Amy Pollien, Rob Pollien, Richard Estes, Philip Frey, Joellyn Duesberry,  David Little, and many others. 

And last but not least, I will have seven paintings in another group show that I'm very happy about - for the past decade I have been going to Islesboro for a week every September to paint with a group of friends at the house of artist Brita Holmquist.  This year was the first time in ten years we haven't been able to get together, because of Brita's health.  She is now on the mend, thank goodness, and we are celebrating and having a group show together, which opens at Elizabeth Moss Galleries in Falmouth, Maine, on November  17th (the opening is from 5-7 p.m.), and will be up through the first week of January 2017.  Brita is having a solo show there right now, not to be missed!, and our group show will follow.   Here's one of the paintings that I will be delivering to Elizabeth Moss in a few weeks, for this show:

8:00 a.m., East Penobscot Bay from Pendleton Point, Islesboro, Maine - oil/panel, 10 x 22".  This is one of the paintings I made at last year's retreat on Islesboro.   And here is the list of everyone who will be in our show, as far as I know right now - Brita Holmquist, Susan Van Campen, Nora Tryon, Sharon Townshend, Liz Moberg, Natasha Mayers, Wendy Garner, Jean Wyman, Louise Bourne, Anina Porter Fuller, Pamela Elias, Sondra Bogdonoff, Margaret Ryan, Nikki Schumann, and Judy LaBrasca.  And myself - pinch me!  It's going to be an incredible show.  Last year at the retreat people were making amazing work. 

That's all for now - except to say THANK YOU to friends, family, art collectors, and other supporters, who viewed, commented on, and/or bought my work this year!  I appreciate it more than you will ever know!    

This spring seems to be all about rebuilding, around here, and fresh starts.  I'm getting a clean sweep in my attic painting studio, for one, which is dismantled right now because of various home construction projects (chimney work and a new roof).  I can't wait until the work is finished so I can put everything back the way I like it, especially the easels I usually have set up to receive wet paintings when I bring them inside after making them outside!  Right now, instead of that useful system, there are paintings strewn all over the rest of house, on pretty much any horizontal surface that has room and is above or beyond the reach of our cat Hodge.  Tricky!  Nevertheless, painting outside again with the return of the warm(ish) weather has been a great joy.   After spending wintertime painting inside there is nothing to compare to the feeling of working right out in the middle of miles of open space once again.  The cobwebs are gone in a moment and contentment is a rising tide.

Speaking of open space, I've got two paintings in a group exhibit at the L.C. Bates Museum at Hinckley, on Route 201 just outside of Fairfield, Maine.   The exhibit is fortuitously entitled Open Spaces:  Reimagining Pastoral Maine, and it opens this Friday evening, May 6, from 4-6 p.m.  The show will run from May through early October.  Directions and more information at the museum's website, here.  

And, I'm so happy to say, my solo show at Landing Gallery in Rockland, Maine, is happening very soon:  Postcards from Home, May 24 - June 26, with an opening during the first Friday art walk on June 3, from 5-8 p.m.  I'm getting ready to deliver the paintings to the gallery - they are framed and ready to go and there are a lot of them!  Around seventy paintings in all, mostly small but a few quite large.  The gallery has a color catalogue to accompany the show, and I have copies too - they are five dollars each - to buy one please contact me or the gallery.

After my solo show I will be taking two painting trips, one to Bear Island and one to Great Spruce Head Island, in June and July respectively, and also plan to be painting around Frenchman's Bay and Schoodic for much of the summer.  Then in September the group of artists I go on retreat with at Long Ledge on Islesboro will be meeting again.  This will be our tenth year together, and Elizabeth Moss Galleries in Falmouth, Maine, will be showing a selection of our work in a Long Ledge exhibit in November.   This will be a tremendous show - the other artists at this retreat have been making incredible work and I feel so lucky and blessed to be included both in this group and in this show.  Dates and details to follow when the time comes.

And, as always, I welcome visitors to my home studio - or should I say, I will, when I reassemble it!  Soon!  Please call or email ahead to make sure I'm home.  And, if you are out and about this season, and see a painter sitting down in the ledges at Schoodic, or on a remote beach in downeast Maine, look for an old gathering basket full of paint to see if it's me.  I'd love to take a quick break and say hello.  Best wishes for a peaceful spring and summer, filled with nature and art.

Islands off Sand Beach, Stonington,  Maine - oil/panel. 5 x 7" - from my solo show Postcards from Home.